1 degree Celsius @ Lincoln Centre, New York

https://www.lincolncenter.org/lincoln-center-at-home/calendar

With her signature style, driven by electrifying music, choreographer Sung Im Her invites us to reflect on how art can inspire action in response to the changing environment around us.  

1 degree Celsius @ Avignon Festival

https://festival-avignon.com/en/edition-2026/programme/1-degree-celsius-354995

@ Cour du lycée Saint-Joseph

With her signature style, driven by electrifying music, choreographer Sung Im Her invites us to reflect on how art can inspire action in response to the changing environment around us.  

1 degree Celsius @ Grec Festival

https://www.barcelona.cat/grec/en

With her signature style, driven by electrifying music, choreographer Sung Im Her invites us to reflect on how art can inspire action in response to the changing environment around us.  

For The Garden of Earthly Disquiet, Grace combines Wayang Gedhog and Wayang Wong. As the Dhalang, or puppeteer, she creates the images and tells the stories. Instead of shadows, she plays with light to bring her world to life. Drawing from memories of terrifying, traumatic nights, the nocturnal escape from Indonesia to the Netherlands, and the inherited superstitions tied to nature, she imagines an obscure world brimming with mystery, unrest and fear, honours her ancestors, and interweaves past and present in a ritual, healing manner. For her most recent works, Grace chose to decolonise her name, adopting the name of her grandmother, Tjang, in honour of her grandmother and her family history. 

For The Garden of Earthly Disquiet, Grace combines Wayang Gedhog and Wayang Wong. As the Dhalang, or puppeteer, she creates the images and tells the stories. Instead of shadows, she plays with light to bring her world to life. Drawing from memories of terrifying, traumatic nights, the nocturnal escape from Indonesia to the Netherlands, and the inherited superstitions tied to nature, she imagines an obscure world brimming with mystery, unrest and fear, honours her ancestors, and interweaves past and present in a ritual, healing manner. For her most recent works, Grace chose to decolonise her name, adopting the name of her grandmother, Tjang, in honour of her grandmother and her family history.